'David Hockney: Drawing from Life' Now On View at The Morgan

  • NEW YORK, New York
  • /
  • November 03, 2020

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David Hockney, Celia, Carennac, August 1971. Colored pencil on paper, 17 x 14 inches © David Hockney. Photography by Richard Schmidt, Collection: The David Hockney Foundation

The Morgan Library & Museum in New York presents David Hockney: Drawing from Life, on view now and running through May 30, 2021. David Hockney (b. 1937) is one of the most internationally renowned living artists. The exhibition is organized by the National Portrait Gallery, London, in collaboration with the artist and the Morgan. The exhibition was curated by Sarah Howgate, Senior Curator of Contemporary Collections at the National Portrait Gallery, London. It is the first to focus on his portraits on paper, and one of very few to investigate his drawing practice. Featuring over 100 drawings and prints, it traces a trajectory from the artist’s early sketches as a student, through his Ingres-like portraits of the 1970s, to his return to the sketchbooks and imaginative iPhone and iPad portraits in the early 2000s.

David Hockney: Drawing from Life is unique in exploring the artist’s drawing practice through a small group of sitters he has depicted repeatedly over the years: his muse and confidante, the designer Celia Birtwell; his mother; his friend and former curator Gregory Evans; master printer Maurice Payne; and the artist himself. Each of these individuals has been important to Hockney. Over time, he has rendered them in different media and forms, ranging from pencil, pen and ink, and pastel drawings to etchings, photo collages, and iPhone and iPad drawings. In revisiting these people over decades, Hockney gives us a singular insight into the evolution of his practice.

The Morgan is a fitting venue for this intimate presentation of drawings, which will take place in the museum’s Morgan Stanley East and West Galleries. In 2017, the Morgan acquired Celia, Paris (1969), the first portrait Hockney made of his close friend, the celebrated textile designer Celia Birtwell. The drawing, included in this exhibition, is a superb example of the precise, delicate style of line drawing—indebted to Ingres and Picasso—that Hockney developed in the late 1960s, notably in portraits of friends and family.

David Hockney, Self Portrait with Red Braces, 2003. Watercolor on paper, 24 x 18 1/8 inches © David Hockney. Photography by Richard Schmidt

“As an institution devoted to drawings from the early modern to the contemporary period, the Morgan has long sought to find a way to show David Hockney’s graphic work,” said the Morgan’s Director, Dr. Colin B. Bailey. “We are thrilled to collaborate with the National Portrait Gallery, London, - and of course, David Hockney himself - to make this desire a much-anticipated reality.”

The exhibition’s co-curator at the Morgan, Isabelle Dervaux, Acquavella Curator of Modern and Contemporary Drawings, said, “The exhibition reveals an intimate side of this internationally known artist. In the self-portraits as in the portraits of his closest friends done over a period of more than fifty years, Hockney uses drawing to explore with honesty and vulnerability the passage of time and the aging process.”

The exhibition is accompanied by a fully-illustrated catalogue featuring around 150 beautifully reproduced portraits. Visit The Morgan website for more information.


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