Steven Kasher Gallery will present the exhibition Selma March 1965 from March 5 to April 18 in New York. Featuring over 150 original photographs, the exhibition depicts the three Selma-to-Montgomery marches that rocked the nation and galvanized the Civil Rights Movement in 1965. “Never before in New York or any other gallery has the work of photographers James Barker, Spider Martin and Charles Moore been brought together like this,” said Steven Kasher. “By combining their work, the exhibition captures in a new way the angst, courage and chaos of this seminal moment in American history.”

On March 7th, 1965, Alabama state troopers and a local posse viciously attacked civil rights demonstrators in Selma, stopping a planned peaceful march to the state capitol in Montgomery, wounding many innocent marchers. Both filmed and photographed, “Bloody Sunday” instantly caused nationwide outrage. A few days later, a second march, led by the Rev. Dr. Martin Luther King Jr., was turned back. A third, ultimately successful march left Selma on March 21, arriving in Montgomery five days later.  By then, President Lyndon B. Johnson, pushed by Dr. King and the horrific images of brutality captured by Martin, Moore and others, had introduced the Voting Rights Act to Congress, which became law later that year. 

“Together the images on display present a complex, compelling tableau that is both monumental and intimate, brave and vulnerable,” said Kasher. “The exhibit is inspiring, but also a chilling reminder that those who fight for social justice do at great risk, with no guarantee that theirefforts will be successful – though sometimes they are, if only partially.”

Selma March 1965 commemorates the 50th anniversary of the Selma marches as well as the Voting Rights Act they catalyzed. It is the 30th public exhibition that Kasher has organized of photography of the Civil Rights Movement. 

Charles Moore (1931 – 2010) is the most renowned photographer of the Civil Rights Movement. His Selma pictures were published in two issues of Life, then the most read and shared journal in the U. S., with a wider audience than the television news. His pictures of peaceful demonstrators and brutal police shocked the nation and galvanized Congressional response. Moore’s Civil Rights Movement pictures have been published and exhibited widely ever since, especially the ones he took of the Birmingham protests in 1963. Those pictures, of protestors fire-hosed and attacked by police dogs, are the most iconic images of the Civil Rights Movement. They earned Moore renown, but also arrest in Birmingham, and a year’s banishment from Alabama, his native state. His earliest pictures in this exhibition document the rise to prominence in Montgomery of the Reverend Martin Luther King, Jr., taken while Moore was chief photographer for The Montgomery Advertiser. Moore’s Selma pictures for Life record the brutal attack on the first march, then attacks on civil rights activists in Montgomery, and finally the joyous culmination in Montgomery of the third march.

In 1965 Spider Martin (1939 – 2003) was a young staff photographer at The Birmingham News. Spider was sent to cover the Selma events, but the News was reluctant to feature his images. Once the Bloody Sunday violence preempted national television programing and exposed what was happening in Selma, the News had no choice but to prominently publish Spider's pictures, moving them from the back of the paper to the front. The News released Spider from his assignment after Bloody Sunday because "the largely segregationist editors thought if you didn't publish it, much of this would go away." But Spider won out his argument with his editors to stay on, so he covered the Selma activities through Turnaround Tuesday and the third successful march. His photographs traveled all over the world, appearing in such publications as Time, Life, Der Spiegel, Stern, The Saturday Evening Post, Paris Match, and numerous books.  Martin’s pictures are among the most dramatic and monumental of the events. His prints have never been exhibited in New York previously.

James Barker (b. 1936) was a participant observer on the third Selma march. As a staff photographer working at Washington State University he was chosen to join a delegation of three sent by the university to support and witness the march. His images are the only insider ones known to exist – as opposed to photojournalistic. He captures the fear, weariness, tedium, and organizational details of the third march in a most intimate way. Barker continues to practice as a documentary photographer in his adopted state, Alaska.

Steven Kasher Gallery has relocated to 515 West 26th Street, New York, NY 10001. Gallery hours are Tuesday through Saturday, 10 AM to 6 PM. www.stevenkasher.com. For more information about the gallery and all other inquiries, please contact: Maya Piergies, 212-966-3978 or maya@stevenkasher.com

Selma March 1965

Exhibition: March 5th – April 18th 2015

Opening Reception: Thursday, March 5th, 6 – 8 PM.

To be attended by James Barker, Tracy Martin and Michelle Moore Peel

raphy of the Civil Rights Movement.