Pi Artworks present solo show of Dutch Painter Jade Van der Mark, with work highlighting the transformation of city life in the face of the Covid-19 pandemic

We’re All Human
Jade van der Mark
12-19 December 2020
Pi Artworks
55 Eastcastle St, Fitzrovia, London W1W 8EG

Jade van der Mark will exhibit a new body of work in her first London solo show at Pi Artworks this December. The work explores contemporary society, both before and after the coronavirus pandemic, and examines the dichotomy of crowds and human intimacy.

Amsterdam-born van der Mark, now based in London, uses cities and crowds as a source of inspiration, sketching in the heart of the capital and documenting the vibrancy of urban life. Her large-scale portraits of cities’ inhabitants highlight issues of overpopulation, isolation, greed and oppression. Playful but profound, her paintings make the mundane vibrant and beautiful, with an edge of melancholia.

Thick coats of oil paint give life to monumental textured canvases, rich in detail and complexity and majestic in size. The use of bold and abstracted colour palettes conveys a sense of sculptural depth, amplifying their gravitas. As each layer may take up to a week to dry, van der Mark’s paintings are the result of a laboured process lasting up to eight months. Containing multiple stories, which over the course of completion have been altered or painted over, her works unveil hidden narratives that encourage deeper reflection.  

Diving into diverse identities, van der Mark reveals a vast network of personal stories that share the same spaces but lack connection. Colourful figures are representative of the artist’s belief in a shared humanity. 

Set in decontextualized city spaces, van der Mark’s paintings speak to an overwhelming sense of disconnect that resonates globally. Works created in early 2020 depict crowded scenes, where figures are frozen in the chaos of rush hour, their stress and exhaustion evident in their expressions. 

We’re All Human, for example, presents a densely populated crowd sprawling across a wide canvas, measuring over four meters in length and almost three in height. What seem like hundreds of city dwellers, distinguished through lively clothing and colourful faces, move across all directions. With almost no negative spaces between them, individuals remain fully engrossed in their own worlds, often shielded by phones, headphones and masks.

Works created during the 2020 lockdown, instead turn to empty spaces, the absence of crowds, and the disconnect that arises as a result of social distancing. Others recount a society in lockdown, with surreal depictions of supermarket queues, and voyeuristic views of figures isolating inside apartments. The works juxtapose with those created pre lockdown, forcing viewers to reflect on how significantly city life has changed, and asking them not to recall the chaos with rose tinted glasses. 

Works such as Judgement and Greed are influenced by the artist’s fashion background, and depict the materialism, and harsh elitism of the fashion world. The figures in Greed queue frantically to get into a large Louis Vuitton store, while Judgement transports viewers to the front row of a catwalk, where haughty influencers and celebrities scrutinise parading models. 

The attention to texture is crucial to van der Mark’s practice as a whole, which combines a passion of painting with an education in Fashion, obtained at the Royal Academy of Arts in The Hague. A self-taught weaver, she weaves her paintings into elaborate and distinctive items of clothing, works of art in and of themselves. During Milan Fashion Week 2016 she was awarded the Dutch Fashion Award for her exceptional designs.

One of the most exciting young artists to come out of the Dutch art scene, van der Mark was born in the town of Bergen, often regarded as an artists’ town due of its remarkable natural light. Home to the Bergen School of painters in the early 20th century, Bergen has been referred to as the birthplace of Dutch expressionism. 

van der Mark spent lockdown at her home in Amsterdam, and feels the coronavirus pandemic has forced us all to slow down, in a way that was highly necessary in our fast paced society. Used to painting in isolation, she has used this time to reflect on the way the virus has simultaneously bought society closer by affecting everyone, but also torn us apart as a result of social distancing.

van der Mark comments, “While lockdown has forced us into physical isolation, we were already isolated in modern society. Travelling the cities of the world, I’ve noticed that no matter the size of the crowd, people are isolated. Lockdown has highlighted this, but it’s also given us the gift of realising the loss of our connection to each other. I hope my paintings remind the viewer that whether in a crowd or alone, we do have a connection, and it is vital for us all to remember and nurture it.”

van der Mark has showcased her work widely in the Netherlands and internationally, exhibiting in Amsterdam, Brussels, London, Dubai and Milan. These include a 2018 solo show at ING Headquarters in Amsterdam and participation in Salone Mobile Design Week in Milan in 2016.

www.jadevandermark.com

About Pi Artworks:

Founded in Istanbul in 1998, gallery program focused on visibility of female artists. By the time gallery moved to Tophane area in istanbul in 2008, It had established itself as institutional like space, as well known for community projects such as education, publishing and public programming. “A programme to initiate social change...” With the London move in 2013, Pi Artworks wanted to cross borders, make connections, explore “shared histories”, bridge artists from two different geographies working on similar issues. Open up to global conversations about art history, political and critical thinking By 2015, Pi Artworks roster was much more shifted towards political content, identity, displacement still mainly female, additional focus on “intergenerational conversation” to create its own eco-system which is much needed to nurture younger generations.