Cy Twombly: Treatise on the Veil
This exhibition showcases Cy Twombly's monumental painting Treatise on the Veil (Second Version), executed in Rome in 1970, and twelve related drawings, all from the Menil Collection in Houston. Not shown in New York City for nearly thirty years, and rarely on display at the Menil due to its size (nearly 33 feet in length), the painting marks a pivotal moment in the career of one of the most important artists to emerge in the wake of Abstract Expressionism. Inspired by a musical piece by Pierre Henry, a composition known as The Veil of Orpheus, Twombly’s Treatise on the Veil is a meditation on time and space. The drawings, which combine pencil, crayon, collage, tape, measurements, and other inscriptions offer a fascinating window into the artist's creative process. Twombly (1928–-2011) was born in Lexington, Virginia. He studied at the Boston Museum School of Fine Arts, New York's Art Students League, and at Black Mountain College, North Carolina, under Abstract Expressionists Robert Motherwell and Franz Kline. Early travels to Europe and North Africa nourished his interest in ancient art and mythology. In 1957, Twombly moved to Rome, where he lived most of his life. References to antiquity and the Renaissance abound in his art, which is characterized by a rich repertoire of marks, scrawls, scribbles, doodles, and scratches— at once expressive of a gestural approach and of cultural symbols. The two paintings entitled Treatise on the Veil (the first version, of 1968, is in the Ludwig Museum in Cologne) are highlights of Twombly's "grey-ground" period which spanned from 1966 to the early 1970s, in which thin white lines running across a grey background convey an increasingly lyrical feel. IMAGE: Cy Twombly. Untitled (1970). Crayon, pencil, colored pencil, and ink on cut, torn, and folded papers with tapes on paper. The Menil Collection, Houston, Gift of the artist. ©Cy Twombly Foundation.
