PORTLAND, Maine - More than a century separates the photographs of Julia Margaret Cameron from those of Joyce Tenneson. Yet their affinity is plain. Both present feminine beauty as something ethereal and spiritual. Both traffic in allegory and an air of otherworldliness. Both try, in a sense, to visualize the eternal.
ARTFIXdaily will end weekday e-newsletter service after 13 years of publishing art world press releases, events and ...
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One of the nation’s first permanent spaces dedicated to showcasing Chicano art and culture opened on June ...
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Original print of the U.S. Constitution headlines exhibition sponsored by Ken Griffin (who purchased it for $43.2 ...
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From July 9 to December 4, 2022, The Auckland Project in the U.K. will unite two Spanish masterpieces from British ...
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![Peter Paul Rubens (Flemish, 1577–1640), After Titian (Tiziano Vecelli) (Italian [Venetian], c. 1488–1576), Rape of Europa, 1628–29. Oil on canvas, 71 7/8 x 79 3/8 in.](/images/c/e2/2e/Jan20_Rape_of_Europa100x100_c.jpg "Peter Paul Rubens (Flemish, 1577–1640), After Titian (Tiziano Vecelli) (Italian [Venetian], c. 1488–1576), Rape of Europa, 1628–29. Oil on canvas, 71 7/8 x 79 3/8 in.")
