Guggenheim Abu Dhabi Exhibition to Open Amid Labor Abuse Claims

  • November 03, 2014 11:56

  • Email
Otto Piene, Hängende Lichtkuge (Hanging Light Ball), 1972. Perforated and chromium-plated brass sphere, chromium-plated brass spheres, light bulbs, and electric motor, 223.5 x 68 cm.
Photo © Guggenheim Abu Dhabi

Despite threats of protests from labor activists concerned with conditions for construction workers at the Guggenheim Abu Dhabi, the museum is set to open a dazzling premiere exhibition focused on light this Wednesday in the United Arab Emirates' capital. The Frank Gehry-designed museum, still under construction at Manarat Al Saadiyat, will introduce its curatorial vision through a theme-based collection presentation of 19 artworks.

Seeing through Light: Selections from the Guggenheim Abu Dhabi Collection examines the theme of light as a primary aesthetic principle in art, and includes artists Angela Bulloch, Monir Shahroudy Farmanfarmaian, Robert Irwin, Y.Z. Kami, Bharti Kher, Rachid Koraïchi, Yayoi Kusama, Otto Piene, and Douglas Wheeler. On view November 5, 2014–January 19, 2015, this preview exhibition includes works acquired specifically for the Guggenheim Abu Dhabi collection, as well as two key loans from its partner institution, the Solomon R. Guggenheim Museum in New York. 

The group Gulf Labor has claimed that the new Guggenheim branch has not provided workers, many originating from south Asia, with a living wage, or let them form workers' councils. Workers are said to be told to pay dubious recruitment fees. Staged demonstrations for labor reform have taken place at the Guggenheim in New York and elsewhere.

Gehry's design for the new museum is described as "a monument to light whose glass-covered cones are guaranteed to become beacons on the cultural landscape of Abu Dhabi," according to a Guggenheim press release. Guggenheim Abu Dhabi should officially open in late 2017 as a centerpiece of the new Saadiyat Island cultural district.

 


  • Email

More News Feed Headlines

Joseph Mallord William Turner (1775-1851) Sunset, 1830-5.

After 13 Years, ARTFIXdaily to Cease Daily News Service

  • ArtfixDaily / August 15th, 2022

ARTFIXdaily will end weekday e-newsletter service after 13 years of publishing art world press releases, events and ...

Read More...
Einar and Jamex de la Torre, Critical Mass, 2002 (Courtesy of the Cheech Marin Collection and Riverside Art Museum).

Inaugural Exhibition at The Cheech Highlights Groundbreaking Chicano Artists

  • ArtfixDaily / July 7th, 2022

One of the nation’s first permanent spaces dedicated to showcasing Chicano art and culture opened on June ...

Read More...
Jacob Lawrence,.  .  .  is life so dear or peace so sweet as to be purchased at the price of chains and slavery?—Patrick Henry,1775 , Panel 1, 1955, from Struggle: From the History of the American People, 1954–56, egg tempera on hardboard.  Collection of Harvey and Harvey-Ann Ross.  © 2022 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York.

Crystal Bridges Explores the U.S. Constitution Through Art in New Exhibition 'We the People: The Radical Notion of Democracy'

  • ArtfixDaily / July 7th, 2022

Original print of the U.S. Constitution headlines exhibition sponsored by Ken Griffin (who purchased it for $43.2 ...

Read More...
Salvador Dalí (1904–1989), Christ of St John of the Cross, 1951, oil on canvas © CSG CIC Glasgow Museums Collection

Dalí / El Greco Side-by-Side Exhibit Prompts: 'Are They Really Paintings of the Same Thing?'

  • ArtfixDaily / July 6th, 2022

From July 9 to December 4, 2022, The Auckland Project in the U.K. will unite two Spanish masterpieces from British ...

Read More...