Edgar Degas: The Private Impressionist, Works on Paper by the Artist and his Circle

  • PETALUMA, California
  • /
  • June 02, 2015

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Plough Horse, ca 1860-61, by Edgar Degas. Collection of Robert Flynn Johnson.
Petaluma Arts Center

The Petaluma Arts Center will be exhibiting selections from a private collection in Edgar Degas: The Private Impressionist, Works on Paper by the Artist and his Circle, on view from June 20 through July 26, 2015. 

“This exhibition is a reflection of the vibrancy and growth of both the City of Petaluma and the Petaluma Arts Center,” said Val Richman, executive director of PAC. “This Degas exhibition, just six years after opening our doors, is an indication of the organization’s trajectory and ambition. After all, we are poised at the entrance to the wine country, a world-class destination, and the arts are central to the lifestyle experiences our community and visitors have come to expect.”

Mary Cassatt At The Louvre: The Paintings Gallery, ca. 1879-80, by Edgar Degas. Collection of Robert Flynn Johnson.
Petaluma Arts Center

Featuring more than 100 works on paper, the exhibition includes 40 drawings, prints, pastels, andphotographs by Degas from his early days of making studies of works at the Louvre to late in his career. Intimate and thought-provoking, the exhibition offers a personal glimpse of the artist at work, often using family and friends as subjects. Also included in the show are works on paper by artists in his circle,including Mary Cassatt, Paul Cézanne, Jean-Auguste Dominique Ingres, and Henri de Toulouse-Lautrec.

Edgar Degas was one of the founders of Impressionism and a key figure in the development ofmodernism. Yet he is often referred to as the “reluctant Impressionist” because he had fundamentaldifferences with them. He neither adapted their color palette nor their practice of plein air painting. Hisemphasis on line countered their emphasis on form. However, most experts agree that he is more alignedwith Impressionism than any other movement. His scenes of contemporary life, off-center and croppedcompositions, and experiments with color are among the hallmarks of Impressionist style. He also playeda significant role in organizing the independent exhibiting society that came to be called the Impressionists. The first of their exhibitions was held in 1874 and Degas showed in all but one of theireight exhibitions.  

Degas was a brilliant artist who worked in a wide variety of media from painting, pastel and drawing, tomonotype, sculpture, and photography. Yet, during his lifetime, he rarely exhibited anything other thanhis paintings and pastels. Thus, this exhibition explores the private side of Degas in the works he largelykept to himself for his own creative experimentation. As Degas said, “Is painting done to be looked at? Doyou understand me? One works for two or three friends who are alive and others who are dead orunknown. Is it any business of journalists if I make pictures, boots, or cloth slippers? Painting concerns one’s private life.”

This exhibition explores not only the art of Degas but also his character and, with the inclusion of numerous works by those in his circle, illuminates the artistic creativity of fin de siècle Paris. 

Degas works include:  

- Mlle Dembowska, ca. 1858-1859 (cat. 12)

- Plough Horse, ca 1860-61 (cat. 15)

-  Mary Cassatt At The Louvre: The Paintings Gallery, ca. 1879-80 (cat. 38)

-  Heads of a Man and Woman, ca 1877-78 (cat. 43) 

Also, by other artists of his circle: 

- Mary Cassatt, Under The Lamp, 1882 (cat. 64)

- Henri de Toulouse-Lautrec, Portrait of a Woman, 1894 (cat. 95)

- James Jacques Joseph Tissot, Young Woman in Shooting Costume, ca 1894-97 (cat. 94)

- David Levine, Edgar Degas, 1964 (cat. 101) 

All the works in Degas: The Private Impressionist are drawn from the collection of Robert Flynn Johnson, Curator Emeritus of the Achenbach Foundation for Graphic Arts, Fine Arts Museums of San Francisco. The exhibit is co-curated by Johnson and Louise Siddons Ph.D., Assistant Professor and Curator of Collections at Oklahoma State University, Stillwater.

Housed in the historic Railroad Station freight building, next to the Petaluma Visitors Center, the Petaluma Arts Center hosts art exhibitions, concerts, performances, art classes for people of all ages, literary andfilm lectures, and community events. The Arts Center grew out of the grassroots Petaluma Arts Council, founded in 1998 with a goal of acknowledging and celebrating local artists and their contributions. The council opened the arts center 10 years later, in September 2008. Located next to the upcoming SMART commuter train station in developing Midtown Petaluma, the arts center is experiencing a renaissance along with the growth of the arts in Sonoma County. Hours Thursday through Monday (closed Tuesday and Wednesday)11 a.m. – 5 p.m.  Open on Saturday until 8 p.m. 

Events

Gala Preview, Friday, June 19. 7 p.m. – 10 p.m. $100 general, $75 PAC members. 
Opening Reception, Saturday, June 20.5 p.m – 8 p.m. $10 general, free to PAC members.
Run of Exhibition tickets are $10 general, free to PAC members.

Lecture by Robert Flynn Johnson, Thursday July 2.7 p.m. – 8:30 p.m. $15 general, $10 PAC members.“Chasing Degas: My Four Decades Collecting this Artist and his Circle” Lecture by Robert Flynn Johnson, Thursday July 16.7 p.m. – 8:30 p.m. $15 general, $10 PAC members.“Public/Private: Collecting for the Community while Collecting Personally, a Balancing Act” 

An illustrated catalogue of the exhibition, Edgar Degas: The Private Impressionist with a preface by Degas expert, Ann Dumas, Curator of The Royal Academy of Art, London, is available at the Center’s store:$60/hardcover 

This exhibition was organized by Landau Traveling Exhibitions, Los Angeles, CA, in association withDenenberg Fine Arts, West Hollywood, CA.  The Exhibition is generously sponsored by Christie’s, Xandex Inc., and Keller Estate Winery. 

Tags: european art

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