In his Ten O’Clock Lecture in 1885, James McNeill Whistler (American, 1834-1903) presented himself as an artist set apart from the public, bearing no relation to the historical moment he lived in. However, the myth of artistic independence that Whistler developed was but one part of a complex and highly significant relationship he had with the world around him. As a painter, printmaker, and designer, Whistler engaged with a variety of places, people, and ideas that stretched from the United States to London, Venice, and Japan.

Drawn entirely from the renowned Lunder Collection, Colby Museum of Art's comprehensive exhibition—featuring the finest examples of his prints among works in other media—explores Whistler’s travels across Europe in his quest to re-imagine his surroundings and to transport the modern world into the “realm of art.” It on view now through January 10, 2016.

An illustrated catalog with text by noted American art scholars is available: Whistler and the World
The Lunder Collection of James McNeill Whistler.