In 1952 Henri Matisse was asked to create a stained-glass window for the mausoleum of art collector Albert Lasker, and he took on the project with enthusiasm. His full-scale maquette was made with shapes cut out of painted paper and arranged with the help of assistants. This technique allowed the elderly Matisse to remain productive as an artist in his final years, when he was no longer able to paint. Ivy in Flower is one of the most joyous and exuberant of the large cutout works he made at the end of his life.

“Ivy in Flower is one of the first true masterpieces of European modernism to enter the Museum’s collection,” said Heather MacDonald, The Lillian and James H. Clark Associate Curator of European Art at the Dallas Museum of Art. “It is an exceptionally beautiful example of Matisse’s late passion for the cutout, which was the central medium for the last decade of his career. It’s both strikingly graphic and incredibly lyrical, a work that has an immediate impact but is subtle enough to invite a long look.” Matisse described the maquette in a letter to his son: “I really think it is very beautiful. It has a new harmony.”

Rarely on view because it is a light-sensitive work on paper, Matisse’s beloved Ivy in Flower is installed in the Concourse of the Dallas Museum of Art through December 11, 2011.

Afterlife: The Story of Henri Matisse’s Ivy in Flower is organized by the Dallas Museum of Art and curated by Dr. MacDonald, who will discuss the installation in a gallery talk on June 15 at 12:15p.m.  Additional programs will be scheduled while the work of art is on view. For dates and details, visit DallasMuseumofArt.org.