Gallery Talk: Dare to Know: Prints and Drawings in the Age of Enlightenment
Join Sam Nehila, curatorial assistant in the Division of European and American Art, for an in-depth discussion about William Hogarth’s print series The Four Stages of Cruelty, on view in the special exhibition Dare to Know: Prints and Drawings in the Age of Enlightenment.
Featuring approximately 150 works on paper and other related objects, Dare to Know explores how the graphic arts inspired, shaped, and gave immediacy to new ideas in the Enlightenment era by encouraging individuals to follow their own reason when seeking to know more. An illustrated catalogue with 26 thematic essays—an A to Z exploration of the Enlightenment quest for understanding and change—accompanies the exhibition.
Our galleries are full of stories—this series of talks gives visitors a chance to hear the best ones! The talks highlight new works on view, take a fresh look at old favorites, investigate artists’ materials and techniques, and reveal the latest discoveries by curators, conservators, fellows, visiting artists, technologists, and other contributors.
Led by:
Sam Nehila, Curatorial Assistant, Division of European and American Art
Gallery talks are limited to 18 people, and it is required that you reserve your place. At 10am the day of the event, reservations will open and may be arranged online through this form. The gallery talk reservation will also serve as your general museum reservation. If required, visitors will pay the museum admission fee upon arrival.
Please meet in the Calderwood Courtyard, in front of the digital screens between the shop and the admissions desk.
Please see the museum visit page to learn about our general policies for visiting the museum.
This exhibition is supported in part by an award from the National Endowment for the Arts. Support for the exhibition is provided by the Melvin R. Seiden and Janine Luke Fund for Publications and Exhibitions, the Robert M. Light Print Department Fund, the Stanley H. Durwood Foundation Support Fund, the Catalogues and Exhibitions Fund for Pre-Twentieth-Century Art of the Fogg Museum, and the Gladys Krieble Delmas Foundation. The catalogue was made possible by the Andrew W. Mellon Publication Funds, including the Henry P. McIlhenny Fund. Related programming is supported by the M. Victor Leventritt Lecture Series Endowment Fund.
The Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs, please contact us at am_register@harvard.edu at least 48 hours in advance.
- Contact:
- Krystle Brown
- Krystle_Brown@harvard.edu
- (617)-495-9295
_Infinity_by_Santiago_Medina_PhotoCr100x100_c.jpg "Santiago Medina’s “Infinity” is made with highly polished Italian stainless steel and displays in its organic sculptoric form, the infinite symbol. The sculpture measures 24 inches in height by 12 x 10 inches. Infinity is pictured in front of the Colombian landscape where it was cast in stainless steel at Medina’s studio in Medellin, Colombia and will be shipped to its permanent home at the Tisch Library, Tufts University, Boston, MA.")
