JOHN KNUTH: THE ORIGIN OF THE NEW WORLD
https://www.hollistaggart.com/exhibitions/john-knuth-the-origin-of-the-new-world
Hollis Taggart to Open First New York Solo Exhibition
Of Work by Los Angeles-based Artist John Knuth
Exhibition to Feature All New Work
Made Through Knuth’s Singular Processes Using Houseflies
On View at the Gallery’s Project Space from June 8 - June 29, 2019
Opening Reception June 8, 6:00 - 8:00 PM
“The fly paintings are a microcosm of the real world. If you take a million people and confine them to
a tight space something magical and transcendent happens. That’s New York City. That’s also what’s
happening on the canvas.” -Los Angeles-based artist John Knuth.
Hollis Taggart is pleased to present The Origin of the New World, the first solo exhibition in New
York City for Los Angeles-based artist John Knuth. The artist is recognized for his engagement with
environmental concerns and a singular use of fly regurgitations to produce vibrant and seemingly
luminescent abstract paintings. The exhibition at Hollis Taggart, which is curated by independent
curator and art dealer Paul Efstathiou, will feature a selection of new “fly paintings” and also debut a
three-dimensional globe format for Knuth’s fly works. As part of the presentation, and to highlight
Knuth’s process, several of the new fly globes will be made through the duration of the show. The
Origin of the New World will be on view from June 8 through June 29, 2019 at the gallery’s Project
Space at 507 W. 27th Street.
“I have always been fascinated by and taken inspiration from artist Gustave Courbet, and in
particular his focus on portraying the realities of the common man. For me, this is where the fly
paintings begin, with the fly serving as a stand-in for man and the final painting encapsulating what
can be created when we work together. At the same time, human production has, and continues to,
rapidly reshape the world, in ways that we cannot yet fully understand. Exploring the ramifications of
that change, particularly to the natural landscape, is another important underlying theme to the fly
works and to my practice at large.” -Knuth
Knuth first gained attention for his fly paintings in 2013 when The Museum of Contemporary Art,
Los Angeles made a documentary that explored his leveraging of the biological processes of flies to
create abstract landscapes on canvas. Flies are in a constant state of regurgitation—each time they
land on a surface they spit out an enzyme that allows them to liquefy their food so it can be
consumed. Here, Knuth saw an opportunity to explore how an ordinary daily occurrence could come
to represent much larger ideas about creation, collaboration, and monumental change. To make these
works, Knuth began constructing cages, which he lined with primed canvas and into which he
released hundreds of houseflies. Fed a mixture of acrylic paint and sugar water, the flies produced
hundreds of thousands of colored specks on the canvas. Over time, Knuth has honed the process,
giving him incredible control over the coloring and final effects of the paintings. The vividly-colored,
incandescent paintings, which belie their origins, highlight Knuth’s incredible ability to transform
what at first may seem base into something that is both aesthetically beautiful and complex in its
conceptual underpinnings.
“I live in Los Angeles, so I spend a lot of time in the car. It gives me a lot of time to think, but also to
look out at the metropolis that is my adopted city. I see how as the city continues to build and expand,
we are altering the landscape. We’re creating something new but we’re also leaving a scar. There’s a
fine line between the beauty of innovation and the decay that it can and does reap. The fly paintings
are about the mark, literally and metaphorically. Singularly, one fly speck doesn’t mean much, but
together—there’s an impact, whether good or bad.” -Knuth.
For The Origin of the New World, Knuth took his inspiration from New York, in particular the many
waterways that surround the city and that have made it an essential global hub. As such, the color
palette for the show is largely based in hues of blue, with shimmering, metallic undertones to mark
the light and structure of the city. The exhibition will feature new large-scale paintings—some of the
largest that Knuth has ever created—as well as several three-dimensional globes, which represent a
new format for the artist’s fly work. The globes are a clear and direct reference to the earth; their blue
coloring connoting large expanses of water. Conceptually, the show captures the tension between the
natural and the man-made, and the ongoing changes to both.
“With the globes, I wanted to bring a new format to the approach and dialogue with which I’m
engaging. In this case, it’s very literal. We are irreparably changing the earth. With every shining,
gleaming new structure we erect, we are changing the climate, the environment, the landscape. I am
using an abstract process, but the message is direct. And it needs to be, because there is an increasing
sense of desperation. I certainly feel it. So, while I’m dealing a lot with process and its transformative
capacity, I’m really most interested in the realities of our world.” -Knuth.
About John Knuth
John Knuth (b. 1978) challenges traditional notions of art making by creating aesthetically stunning
works through indelicate techniques. Knuth’s vision is to take something traditionally regarded as
base, and to make it into something magnificent and in doing so engage with broader cultural
dialogues. In addition to the fly paintings, Knuth has created works with distress flares, metallic space
blankets, and Mylar sandbags. Knuth’s recent solo exhibitions include The Silver Scenery at
NewStudio Gallery, Minneapolis, MN; The Distorted Landscape at Marie Kirkegaard Gallery,
Copenhagen, DK; Lake of Fire at Andrew Rafacz, Chicago, IL; Powerplant at Brand New Gallery,
Milan, Italy; Base Alchemy at 5 Car Garage, Santa Monica, CA; and Fading Horizon at Human
Resources, Los Angeles, CA. His works have also recently been included in group shows at The
National Arts Club, New York, NY; Hollis Taggart, New York, NY; Steve Turner, Los Angeles, CA;
University of Buffalo Art Museum, Buffalo, NY; International Print Center, New York, NY; Speed
Art Museum, Louisville, KY; MassArt, Boston, MA; Los Angeles County Museum of Art, Los
Angeles, CA; and the Minneapolis Institute of Art, Minneapolis, MN. He received an MFA from the
University of Southern California and a BFA from the University of Minnesota. He lives and works in
Los Angeles.
About Paul Efstathiou
Paul Efstathiou has worked for nearly 17 years as an art dealer and independent curator. From 2004
through 2016, he ran PTE Fine Arts, an arts consultancy and showroom, in partnership with his
brother, Eric Efstathiou. In 2016, he established the exhibition series Highlight Curated, as a means of
bringing new attention to and advancing the careers of contemporary artists with whom he’s
developed deeply-rooted and long-lasting relationships. Efstathiou has produced five Highlight
Curated exhibitions to-date, including three with Hollis Taggart, and featured the work of more than
20 artists, including William Buchina, Ted Gahl, Brenda Goodman, John Knuth, Matt Mignanelli,
Esther Ruiz, and Devin Troy Strother. Efstathiou also previously collaborated with Hollis Taggart on
exhibitions of works by Michael Michaeledes (2012) and Theodoros Stamos (2008 and 2010).
Efstathiou is dedicated to nurturing the careers of emerging and under-recognized artists, leveraging
his relationships in both the for and nonprofit sectors to develop their collector and audience bases.
About Hollis Taggart
Founded in 1979, Hollis Taggart—formerly known as Hollis Taggart Galleries—presents significant
works of American art, showcasing the trajectory of American art movements from the Hudson River
School to American Modernism and Post-War and Contemporary eras. Its program is characterized
by a deep commitment to scholarship and bringing to the fore the work of under-recognized artists.
The gallery has sponsored several catalogue raisonné projects, most recently for Surrealist artist Kay
Sage, and has been instrumental in advancing knowledge of such compelling artists as Alfred Maurer,
Arthur B. Carles, and more recently, Theodoros Stamos, Marjorie Strider and Michael (Corinne)
West. In summer 2015, the gallery moved its primary location from the Upper East Side to Chelsea.
In fall 2018, it opened a newly renovated street-level location on W. 26th Street, a private viewing and
storage annex across the street, and a project space at the High Line. With 40 years of experience,
Hollis Taggart is widely recognized by collectors and curators for its leadership, expertise, and
openness, on matters of art history, and market trends and opportunities.
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For more information, please contact:
Alina Sumajin / Sascha Freudenheim
PAVE Communications & Consulting
alina@paveconsult.com / sascha@paveconsult.com
646-369-2050 / 917-544-6057
- Contact:
- Maggie Birnbaum
- rsvp@hollistaggart.com
- 2126284000
