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ARTFIXdaily News Feed - Friday, January 15, 2021

 
 
Mary Ellen Mark, Tashara and Tanesha Reese, Twins Days Festival, Twinsburg, Ohio, 1998 (printed later); Gelatin silver print, 20 x 24 in.; National Museum of Women in the Arts, Gift of Robert and Kathi Steinke; © Mary Ellen Mark/The Mary Ellen Mark Foundation
 
 

In National Museum of Women in the Arts Exhibition, Mary Ellen Mark’s Photographs Capture Wide-ranging Experiences of Girlhood

 

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Glenn Ligon, A Small Band, 2015.  Neon, paint, and metal support, Three components; “blues”: 74 x 231 in (188 x 586.7 cm); “blood”: 74 ¾ x 231 1/2 in (189.9 x 588 cm); “bruise”: 74 3/4 x 264 3/4 in (189.9 x 672.5 cm); overall approx.  74 3/4 x 797 1/2 in (189.9 x 2025.7 cm).  © Glenn Ligon.  Courtesy the artist, Hauser & Wirth, New York, Regen Projects, Los Angeles, Thomas Dane Gallery, London, and Chantal Crousel, Paris.  Photo: Roberto Marossi
 
 

'Grief and Grievance: Art and Mourning in America' Online Programming Announced Ahead of Opening at the New Museum Next Month

 

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Joshua Dudley Greer (American, b.  1980), TNT Storage Igloo N6-B, Point Pleasant, West Virginia, 2012.  Archival pigment print.  Harvard Art Museums/Fogg Museum, Richard and Ronay Menschel Fund for the Acquisition of Photographs, 2019.345.
 
 

The Andy Warhol Foundation for the Visual Arts Awards Grant to Harvard Art Museums for Fall 2021 Photography Exhibition “Devour the Land”

 

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Image of Order (detail), 2014, Future Retrieval (est.  2008), United States (Cincinnati), wood, Formica, hand cut paper, porcelain, LEDs, plexiglass, © Future Retrieval
 
 

History is present in “Future Retrieval: Close Parallel,” making its debut at Cincinnati Art Museum Feb. 26–Aug. 29

 

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