It’s not unusual to feel a bit bamboozled upon first glimpsing one of David Brega’s oil paintings. The wrinkled antiques magazine cover curls at the edges, ready to be lifted; the masking tape affixing George Washington’s portrait to a worn plank seems like it could be easily peeled away. Brega's trompe l'oeil paintings easily 'fool the eye.' But now he's wonderfully fooling viewers with a new work, a convincing Maxfield Parrish look-a-like titled 'Coming Home'...