The conceptual artist Sol LeWitt (1928–2007) is best known for his programmatic wall drawings and modular structures, but alongside these works he generated more than 350 print projects, comprising thousands of lithographs, silkscreens, etchings, aquatints, woodcuts, and linocuts. On view at Connecticut's New Britain Museum of American Art, through January 9, 2022, Strict Beauty: Sol LeWitt Prints is the most comprehensive presentation of the artist’s printmaking to date, including eighty-three objects, consisting of single prints and print series, for a total of over 250 prints.

The exhibition begins with the artist’s earliest prints: figure studies and scenes of urban life made at Syracuse University and in Hartford, Connecticut. LeWitt’s mature printmaking is explored in four thematic sections that reflect the diverse abstract languages he pursued throughout his career: “Lines, Arcs, Circles, and Grids,” “Bands and Colors,” “From Geometric Figures to Complex Forms,” and “Wavy, Curvy, Loopy Doopy, and in All Directions.”

The exhibition travels to Williams College Museum of Art, from Feb. 18 to June 12, 2022.

Curated by David S. Areford, associate professor of art history at the University of Massachusetts Boston, the exhibition is accompanied by an in-depth catalog co-published by the New Britain Museum of American Art, Williams College Museum of Art, and Yale University Press. The exhibition and catalog highlight the essential role of printmaking in LeWitt’s oeuvre, deepening the understanding not only of the variety of LeWitt’s output but of the genealogy of his distinct geometric and linear formal language.