Miniature Books and Artistic Bindings at Grolier Club

  • NEW YORK, New York
  • /
  • May 02, 2016

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Neale Albert holding 3" book “Julius Caesar” bound by Santiago Brugalla, 2004, one of the volumes of the Knickerbocker set of Shakespeare. Bound in green goatskin, with gold and red tooling. Miniature portrait medallions, painted by John Hodgson, on front and back covers in imitation of a Cosway-style binding.

In honor of Shakespeare’s 400th anniversary, the Grolier Club will present an exhibition “Brush Up Your Shakespeare: Miniature Designer Bindings from the Collection of Neale and Margaret Albert" exploring the works of William Shakespeare from a fresh perspective.  Nearly one hundred exquisitely bound miniature editions of plays, sonnets, and books inspired by Shakespeare are drawn from the remarkable collection of Neale and Margaret Albert. 

On view through May 28, 2016 in the second floor gallery, each miniature book measures three inches high or less.  The exhibition focuses on designer bookbinding, an aspect of the book arts too often overlooked.  It includes miniature editions of Shakespeare’s works published in the nineteenth and early twentieth centuries by William Pickering, Knickerbocker Press, and others, all bound with artistic designer bindings commissioned by Neale Albert during the past decade.

The title of the exhibition is taken from the song “Brush Up Your Shakespeare,” from Cole Porter’s lively 1948 musical Kiss Me, Kate.  At the center of this exhibition are thirty-nine copies of a miniature book illustrating the lyrics and music to that song, published by Neale Albert at his Piccolo Press in 2009.  Designed by Leonard Seastone, with drawings by Seymour Chwast, every copy is encased in a unique artistic binding.  For these bindings, as well as the others on display, Albert commissioned some of the most talented designer bookbinders working today in  the United States, the United Kingdom, and throughout the world.  As in all his commissions, Albert asked every artist to craft he or her own interpretation, offering no guidelines and imposing no restrictions.  He wrote to one artist, slightly tongue-in-cheek: “My only instructions are to make this the finest binding you have ever done. How is that for pressure?”  Each artist, whether working in leather, paper, cloth, wood, or metal, took the advice to heart and created something unique.

Having served two terms as president of the international Miniature Book Society, Neale Albert actively continues to support designer binders. In 2014 he was elected an honorary fellow of Designer Bookbinders, the principal society in Great Britain devoted to artistic bookbinding. “I wish there were more Neale Alberts in the world,” says British bookbinder Susan Allix. “It is a pleasure to know someone who values and trusts a creative ability to the extent that he can stand back and allow a binding to happen.”

Susan Allix, 2010, 3". Bound in red and yellow goatskin, with a 1930’s line-block print only of two figures, with title printed in letterpress in Broadway font, over black lacquered paper on front board. Covers laced together over spine with fine red leather cord through loops attached to board. Edges drawn with black lines. Brown fake snakeskin endpapers. Title printed on box in black and red on yellow.

The exhibition will be augmented by a number of other works from the Alberts’ collections, with unique pieces by the London bespoke furniture designer Tim Gosling, including a scale model of the Globe Theatre and miniature bookcases.  Russ Dritsch has designed the installation.

Neale Albert has been a devoted member and generous patron of the Grolier Club.  In 2006 he presented an extraordinary gift to the Grolier…100 miniature books in beautifully crafted contemporary bindings along with a specially constructed piece of furniture to house the collection.  These are on permanent display in the members gallery.

TRAVEL: Following its presentation at the Grolier Club, the exhibition entitled “The Poet of Them All”: William Shakespeare and Miniature Designer Bindings from the Collection of Neale and Margaret Albert will travel to the Yale Center for British Art, June 16—August 21, 2016.


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