DOUG KEYES: PORTRAIT
This series continues the artist's sophisticated use of multiple exposure; an artistic paradigm that he has steadfastly cultivated over the course of some twenty years.
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![Christ as the Man of Sorrows, 1520-30, oil on panel, 19 ½ x 14 ½ inches, Quentin Metsys (Netherlandish, 1465 or 1466 – 1530) [pre-conservation]](/images/c/f8/38/Nov27_metsys100x100_c.jpg "Christ as the Man of Sorrows, 1520-30, oil on panel, 19 ½ x 14 ½ inches, Quentin Metsys (Netherlandish, 1465 or 1466 – 1530) [pre-conservation]")
![Peter Paul Rubens (Flemish, 1577–1640), After Titian (Tiziano Vecelli) (Italian [Venetian], c. 1488–1576), Rape of Europa, 1628–29. Oil on canvas, 71 7/8 x 79 3/8 in.](/images/c/e2/2e/Jan20_Rape_of_Europa100x100_c.jpg "Peter Paul Rubens (Flemish, 1577–1640), After Titian (Tiziano Vecelli) (Italian [Venetian], c. 1488–1576), Rape of Europa, 1628–29. Oil on canvas, 71 7/8 x 79 3/8 in.")
_low_res72100x100_c.jpg "László Moholy-Nagy, Untitled (Self-Portrait), 1926. Silver gelatin print, 1973. Collection of the Hungarian Museum of Photography")
