Here's what caught the eye of the LA Times' art critic: A mustard-colored 1968 Minimalist abstraction by Robert Mangold (Gana Gallery); "Clivia," probably from the 1930s, by Henrietta Shore (1880 - 1963) of crisply painted pink blossoms, severed from any context other than art (Redfern Gallery); and Charlotte Park (b. 1918), a little-known Abstract Expressionist painter from New York (Spanierman Modern).