Cleveland Museum of Art Hires First Provenance Researcher
- February 14, 2013 17:29
In the light of increasing scrutiny on artworks with dubious histories as Nazi loot and antiquities illegally lifted from ancient lands, many American museums are looking harder at the provenance of works in their own collections as well as new acquisitions.
Following the lead of the Museum of Fine Arts, Boston, the Cleveland Museum of Art has recently hired Victoria Sears Goldman, a researcher at a New York law firm who completed a doctorate in art history at Princeton University,
She will join the museum for six months starting March 4 as a full-time provenance researcher who essentially investigates objects' history of ownership.
Five years ago--in response to complaints from Greece, Italy, Egypt and other countries--the Assn. of Art Museum Directors (AAMD) gave its members stricter guidelines for acquiring pieces originating from ancient lands.
Now the AAMD, consisting of 217 member museums in North America, has set up an object registry on its website to help circumvent adding looted antiquities into museum holdings.
Member museums can post images and information about newly acquired antiquities whose provenance since 1970 is not clear and complete.
Countries of origin and other claimants can gather information from the website and come forward with evidence on objects.
_-Closing-the-Distance_100x100_c.jpg "Lot 204: Bob Kuhn (1920–2007),Closing the Distance, 1977, acrylic on masonite, 24 x 48 in, Sold: $409,500")
![A 19th century Seven Piece "Chrysanthemum" Pattern Sterling Silver Coffee & Tea Service, which was exhibited in the Tiffany & Co. booth at the 1893 World’s Columbian Exhibition in Chicago](/images/c/78/96/Tiffany___Co__Makers_Seven_Piece_"Chrysanthem100x100_c.jpg "A 19th century Seven Piece \"Chrysanthemum\" Pattern Sterling Silver Coffee & Tea Service, which was exhibited in the Tiffany & Co. booth at the 1893 World’s Columbian Exhibition in Chicago")
