Explore Scenes of American Impressionists' Winter Haven in the Exhibition 'St. Augustine in a New Light'

  • May 10, 2021 11:00

  • Email
Felix F. de Crano (French-American, 1839-1908) Marshes and St. Augustine Skyline, 1893. Oil on Board.
Lightner Museum
Felix F. de Crano (French-American, 1839-1908) Courtyard of the Hotel Alcazar, ca. 1903. Watercolor on Paper.
Lightner Museum

A new exhibition from the Lightner Museum explores the work of the American Impressionist painters who wintered in St. Augustine, Florida, at the dawn of the 20th century. St. Augustine in a New Light is on view now through July 5, 2021. The traveling exhibition American Impressionism: Treasures from the Daywood Collection is displayed concurrently.

Impression arrived in the United States in the late 1880s, more than a decade after it originated in Paris. In the hands of American artists, it was subject to a variety of interpretations. While some painters adopted the modern subject matter, broken brushstrokes, fleeting atmospheric effects, and bright palette of the French Impressionists, others did not fully abandon their academic training. In his review of paintings at the Panama-Pacific Exhibition of 1916, art critic Christian Brinton declared, “It must not be assumed that American Impressionism and French Impressionism are identical. The American painter accepted the spirit, not the letter of the new doctrine.”

The growth of Impressionism as an art movement in America was significantly enhanced by the advent of artists’ colonies throughout the Northeastern United States. These bohemian enclaves, where artists were able to exchange ideas, collaborate, and experiment, were typically located in the countryside or coastal regions outside of major urban centers including New York, Philadelphia, and Boston. In the waning years of the 19th Century, St. Augustine became a winter haven for Impressionist painters from these artists’ colonies. Attracted by the region’s warm climate and picturesque scenery, the artists found a reliable source of income in the wealthy tourists who wintered at Henry Flagler’s grand hotels.

An astute businessman, Flagler engaged artists to enhance the guest experience of his St. Augustine hotels. The Gilded Age entrepreneur created space for several artist’s studios at his Ponce de Leon Hotel. One critic noted that “the studios are among the most attractive places to visit in the city. The artists are courteous and obligingly show their pictures…” The presence of artists at Flagler’s hotel enhanced the quality of his properties, while the paintings they produced catered to eager tourists seeking mementos of their stay in America’s oldest city.

William Staples Drown (American, 1856-1915) Charlotte Street, St. Augustine, 1890. Oil on Canvas.
Lightner Museum
Abbott Fuller Graves (American, 1859-1936) Tourists at Fort Marion, St. Augustine, ca. 1900. Pastel on paper.
Lightner Museum

With its quaint streets, historic buildings, bustling harbors, and magnificent coastline St Augustine offered endless inspiration for American Impressionist painters. The lyrical and dazzling paintings produced by the artists at work in St. Augustine presented the Ancient City and its environs in a bold new light.

Download a walking tour of historic St. Augustine inspired by the locations in this exhibition.

Tags: american art

  • Email

More News Feed Headlines

Joseph Mallord William Turner (1775-1851) Sunset, 1830-5.

After 13 Years, ARTFIXdaily to Cease Daily News Service

  • ArtfixDaily / August 15th, 2022

ARTFIXdaily will end weekday e-newsletter service after 13 years of publishing art world press releases, events and ...

Read More...
Einar and Jamex de la Torre, Critical Mass, 2002 (Courtesy of the Cheech Marin Collection and Riverside Art Museum).

Inaugural Exhibition at The Cheech Highlights Groundbreaking Chicano Artists

  • ArtfixDaily / July 7th, 2022

One of the nation’s first permanent spaces dedicated to showcasing Chicano art and culture opened on June ...

Read More...
Jacob Lawrence,.  .  .  is life so dear or peace so sweet as to be purchased at the price of chains and slavery?—Patrick Henry,1775 , Panel 1, 1955, from Struggle: From the History of the American People, 1954–56, egg tempera on hardboard.  Collection of Harvey and Harvey-Ann Ross.  © 2022 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York.

Crystal Bridges Explores the U.S. Constitution Through Art in New Exhibition 'We the People: The Radical Notion of Democracy'

  • ArtfixDaily / July 7th, 2022

Original print of the U.S. Constitution headlines exhibition sponsored by Ken Griffin (who purchased it for $43.2 ...

Read More...
Salvador Dalí (1904–1989), Christ of St John of the Cross, 1951, oil on canvas © CSG CIC Glasgow Museums Collection

Dalí / El Greco Side-by-Side Exhibit Prompts: 'Are They Really Paintings of the Same Thing?'

  • ArtfixDaily / July 6th, 2022

From July 9 to December 4, 2022, The Auckland Project in the U.K. will unite two Spanish masterpieces from British ...

Read More...

Related Events

Goto Calendar