New Exhibition Celebrates Collaborations of French Brothers-Designers Ronan and Erwan Bouroullec

  • October 28, 2021 11:54

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"Clouds (370),” 2009, by designed by Ronan and Erwan Bouroullec. Made by Kvadrat, Ebeltoft, Denmark. 100% new wool, dimensions variable. © Studio Bouroullec.
Portrait of Erwan and Ronan Bouroullec in their Paris studio (from left to right). Photo © Alexandre Tabaste.
“Alcove Highback Sofa,” 2007, designed by Ronan and Erwan Bouroullec. Made by Vitra GmbH, Basel, Switzerland. Chromed and painted steel, polished aluminum, fiberglass, foam, fabric, microfibers, two-seater sofa: 64 1/2 x 33 x 53 1/2" (164 x 84 x 136 cm). Photo © Paul Tahon and Ronan and Erwan Bouroullec.
“Slow Chair and Ottoman,” 2007 with “Algues,” 2004, designed by Ronan and Erwan Bouroullec. Made by Vitra GmbH, Basel, Switzerland. Shape Knitted fabric, bended steel tube, painted or polished aluminum, foam, fabric: armchair: 37 1/2 x 36 1/2 x 35 inches (95 x 92.8 x 89 cm); ottoman: 27 1/4 x 20 3/4 x 13 inches (69.5 x 52.5 x 33.2 cm). Photo © Paul Tahon and Ronan and Erwan Bouroullec.
“Aim Lamp,” 2013, designed by Ronan and Erwan Bouroullec. Made by FLOS, Corso Monforte, Italy. Body in varnished aluminium sheet, shade in photo-etched optical polycarbonate. LED light source. Also feat: “Steelwood Chair,” 2007, designed by Ronan and Erwan Bouroullec. made by Magis S.p.A, Treviso, Italy. Photo © flos and Studio Bouroullec.
"Le Belvédère in Rennes,” 2020, designed by Ronan and Erwan Bouroullec. Installed on the River Vilaine in Rennes, France. Photo © Studio Bouroullec.
"Halle aux Grains Café-Restaurant – Bourse de Commerce,” 2021, interior designed by Ronan and Erwan Bouroullec. Featuring “Alcova” series by WonderGlass, Venice, Italy; “Officina” furniture by Magis S.p.a., Torre di Mosto, Italy; “Guipure Curtains” made by Kvadrat, Ebeltoft, Denmark. Photo © Claire Lavabre / Studio Bouroullec.

This fall, the Philadelphia Museum of Art will present Circus: Bouroullec Designs, featuring the work of leading contemporary designers, the brothers Ronan and Erwan Bouroullec (b. France, 1971, and 1976). The title of the exhibition is inspired by their lively design sense and creative spirit: Circus is a visual parade of designs for furniture, lighting, textiles, glass, ceramics, and room partition systems. These qualities illuminate the brothers’ minimal and refined visual language, combined with their thoughtful approach to materials that merges traditional methods with the possibilities of modern engineering. Collab, the museum’s affiliate group for modern and contemporary design, will honor Ronan and Erwan Bouroullec with its prestigious Collab Design Excellence Award with an in-person presentation and celebration in the spring.

The Bouroullec brothers represent a youthful generation of designers who bring flexibility, creativity, comfort, and visual appeal to their multidimensional designs. This exhibition showcases about forty works, largely conceived and created in the last decade, that are poetic in spirit yet practical in their attention to sustainability and cost-efficiency and that are rooted in a deep understanding and respect for traditional craft.

Among the highlights will be a special large-scale installation of the “Cloud” system, made by Kvadrat, and a work made from their new “Bloc” ceramic bricks, produced by Mutina. Also included are original models for recent projects that explore striking interconnections between urban settings, architecture, and nature, such as the balletic set of fountains at the Rond-Point des Champs-Elysées in Paris, which consist of six 42-feet-high illuminated bronze and crystal structures that slowly revolve as their vertical forms cascade water into the basins below; the dramatic interventions around the new Bourse de Commerce, home to the Pinault Collection in Paris; and Le Belvédère, in the River Vilaine, Rennes.

Jack Hinton, the Henry P. McIlhenny Curator of European Decorative Arts and Sculpture at the Philadelphia Museum of Art, who curated the exhibition, said: “Erwan and Ronan’s unique creativity, playful design sense and deep appreciation of materials and their effects are what set these designers apart. They are remarkably forward-thinking, pushing the boundaries of what contemporary design can offer as an experience. We are delighted to collaborate so closely with them and to share their recent work with audiences in Philadelphia and beyond.”

In conjunction with the exhibition, this year’s Collab Student Design Competition will challenge students at local colleges and universities to submit original designs that address the question: “What does the next generation imagine for the future of design?” Students are encouraged to design a single element, through repetition, and to transform it into an installation or piece of furniture. The Student Design Competition will be held online, providing a unique opportunity for students to receive valuable feedback from nationally recognized industry leaders. On Wednesday, November 17, a panel of judges drawn from the region’s professional design community will meet online to identify the most innovative entries. Winners will be announced on Saturday, November 20, and their projects will be published on the museum’s website.

This year’s judges of the Student Design Competition are Beth Dickstein, CEO of bde, marketing and purposeful relations, and co-founder of Be Original Americas; John James Jenkins, CEO of Kartell, a furniture and home furnishing company; Melissa Shelton, US President of Vitra, furniture and home furnishings; Norman Teague of Norman Teague Design Studio, objects, spaces public projects and exhibitions; Andrea Avram Rusu of Avram Rusu Studio, a multi-disciplinary design studio; and Ghislaine Viñas of Ghislaine Viñas LLC, residential, commercial and product design.


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