The Institute of Contemporary Art/Boston (ICA) has added 20 major works of 20th- and 21st-century art to The Barbara Lee Collection of Art by Women, announced Jill Medvedow, Ellen Matilda Poss Director of the ICA. This exceptional gift by Barbara Lee, Vice-Chair of the ICA Board, furthers the ICA’s commitment to building a collection of art that addresses the systemic underrepresentation of woman artists in museum collections. 
 
The Barbara Lee Collection of Art by Women, established at the ICA in 2014, represents three decades of collecting by Lee and brings together painting, sculpture, photography, and videography by iconic modern and contemporary women artists. 
 
Highlights of Lee’s most recent gift include Louise Bourgeois’s tour-de-force sculptural work Cell (Hands and Mirror) (1995); two critically important sculptures by Eva Hesse, Ennead (1966) and Accession IV (1968); Sherrie Levine’s iconic 1996 sculpture Fountain (Buddha); Ellen Gallagher’s suite of 60 prints DeLuxe (2004-05); and a monumental, room-size installation by Kara Walker titled The Nigger Huck Finn Pursues Happiness Beyond the Narrow Constraints of your Overdetermined Thesis on Freedom – Drawn and Quartered by Mister Kara Walkerberry, with Condolences to the Authors (2010). 
 
“Barbara Lee continues to lead by example—her vision and generosity allow the ICA to tell urgent and undertold histories of post-war and contemporary art,” said Jill Medvedow, Ellen Matilda Poss Director of the ICA. “With these new acquisitions, our collection is enriched by some of the most important works of recent art history. The introduction of a major installation by Kara Walker is a hallmark addition to our collection and brings an essential engagement between the work in our galleries and the critical issues of our time. The Eva Hesse sculptures Ennead and Accession IV are rare and exceptional works that, in our galleries, will provide vital context for understanding Hesse’s foundational influence on generations of artists.”
 
“My gift puts women artists front and center at an institution known for breaking barriers,” said Lee. “The ICA’s vision aligns powerfully with my own. The museum has a spirit of independence, defies expectations, and challenges the status quo—all things that embody my life’s work to empower women.”
 
Kara Walker’s installation The Nigger Huck Finn…, commissioned for the 2010 exhibition Huckleberry Finn at CCA Wattis Institute for Contemporary Art in San Francisco, is a sweeping installation composed of silhouetted cut-paper figures set on a light brown groundline painted directly on the wall and punctuated by seven framed gouache paintings on paper. To date, only one other wall work by Walker combines these three elements.

“These remarkably generous gifts provide us with an opportunity to continue to build our collection of 20th- and 21st- century art so that our community can enjoy more works by these artists, permanently, furthering the ICA’s mission to expand people’s understanding of art and the salient ideas and issues of our time,” said Eva Respini, Barbara Lee Chief Curator of the ICA.