In her New York Times review of November 4, 2011, Roberta Smith wrote:

(Ryan’s) subjects include bathers, reclining nudes, still lifes and juggling clowns. Most are implicitly nocturnal, which is especially effective in stark images of apartment buildings and in two examples of “The Argument.” Here two scrawled figures confront each other against a cragged, gray background that, suggesting an urban wall, recasts them as giant graffiti. These are physically obstreperous works, shot through with unsettling emotions.

Link to entire article:

http://www.nytimes.com/2011/11/04/arts/design/anne-ryan-the-black-line-woodcut-1945-48.html

The entire show may been seen under Exhibitions at WWW.SUSANTELLERGALLERY.COM.