Still Moving: The Orchestration of Vision and Time in Contemporary Filmmaking
Presented by film and media scholar Lutz Koepnick, this program addresses how contemporary art films and video art explore the issue of theatricality. Koepnick will feature excerpts from films and videos by, among others, Francis Alys, Werner Herzog, Tsai Ming- Liang, and Bela Tarr. He will also discuss these works’ orchestration of time in relationship to the photographs in the Museum’s exhibition An Orchestrated Vision: The Theater of Contemporary Photography (February 19–May 13, 2012). Lecture begins at 6:30pm. PLEASE NOTE: This lecture takes place at Steinberg Hall at Washington University in St. Louis. For directions and parking information, visit www.wustl.edu/community/visitors/maps/.
Steinberg Hall, Washington University St. Louis
Forsyth Blvd and N Skinker Blvd
St Louis, Missouri
- Contact:
- Public Relations
- publicrelations@slam.org
- 314.721.0072
![Peter Paul Rubens (Flemish, 1577–1640), After Titian (Tiziano Vecelli) (Italian [Venetian], c. 1488–1576), Rape of Europa, 1628–29. Oil on canvas, 71 7/8 x 79 3/8 in.](/images/c/e2/2e/Jan20_Rape_of_Europa100x100_c.jpg "Peter Paul Rubens (Flemish, 1577–1640), After Titian (Tiziano Vecelli) (Italian [Venetian], c. 1488–1576), Rape of Europa, 1628–29. Oil on canvas, 71 7/8 x 79 3/8 in.")
![Christ as the Man of Sorrows, 1520-30, oil on panel, 19 ½ x 14 ½ inches, Quentin Metsys (Netherlandish, 1465 or 1466 – 1530) [pre-conservation]](/images/c/f8/38/Nov27_metsys100x100_c.jpg "Christ as the Man of Sorrows, 1520-30, oil on panel, 19 ½ x 14 ½ inches, Quentin Metsys (Netherlandish, 1465 or 1466 – 1530) [pre-conservation]")
