Parrasch Heijnen Gallery is pleased to announce Edith Baumann: Early Works, the gallery’s first exhibition of the Santa Monica-based abstract artist.

The paintings in this show, from among Baumann’s earliest bodies of work, date from 1977 and 1979. Through quivering painterly strokes, Edith Baumann’s images provide a space for viewers to reflect on the self. Each wash of the brush creates a soft texture, an imprint of the light hand that shapes the surfaces through subtle vibration and intimation. Akin to John McLaughlin, who pursued the poetic space of the void in his work, Baumann develops her surfaces with a multitude of delicately veiled layers that complement the negative white space. From afar, Baumann’s monochrome works appear to be two slightly different hues of the same color, but after further viewing, salient aspects emerge. This tonal variation materializes from the competing brushstrokes the artist chooses to apply: one side of the plane steadily runs horizontally while the other tremulously flows vertically. Baumann takes care to maintain the impression of stillness while retaining a sense of assured movement. Her method of finely incongruous repetition and reduction relies on a process of perceiving and embracing the human aspect of her approach.